Resolutions

2010 01/01

Though I could be called well-rounded, I am in fact the product of a long series of obsessions.  From 1993 to 2000, for instance, my thoughts entirely to the art of jazz guitar.  I took summer classes at Berklee, sat in a claustrophobic practice rooms with no air conditioning for sometimes 8 hours a day, and largely ignored all other elements of teenage life.

When you suck at something it doesn’t take long to see improvement.  An hour of practice and suddenly you’re capable of something new and amazing.  Early on, your will to practice is fed by that feeling.  But as you get better, the events that spark that feeling of progress get farther and farther apart. You find yourself working a million times harder for a millionth of the improvement. The better you are, the harder you need to work.  That’s the adage. Problem was, I was getting pretty good.  I won a musicianship award at the Clark Terry Jazz Festival, and occasionally I’d get paid for a gig (a feat I have yet to accomplish as a writer).  You would think these were positive signs, progress, recognition of talent, but I saw the wall coming up on me.

It always seemed like the next improvement was a thousand practice hours away, and the kid who was just a little bit better than me, he seemed like another TEN thousand away.  I slowly came to the realization, and even more slowly accepted the fact, that I was never going to be as good as I wanted to be, and this catharsis could rather melodramatically be referred to as “the moment my dream died.”  I did not react well.  I let myself down by sabotaging practice sessions and auditions, I let my friends down by tuning out of bands, and eventually, finally, I let my father down by selling the guitar he’d bought be as a kid.

For the next ten or so years I would occasionally reference my jazz-obsessed past, perhaps giving a short, romanticized summary of my decision to quit, one  that might make me sound tortured and mysterious. But I literally would not touch a guitar.  Just wasn’t interested, I’d say, but it was a stubborn thing, really.  I was protecting a broken ego.

…And if it took me a decade to really explain why I quit in the first place, forgive me if I don’t know how to put into words exactly why I’ve picked it up again.  But I have, yay! New Year’s Resolution, play guitar again.


Time Travel Soul

2009 11/23

“The Way I See It” is what I’m calling “Time Travel Soul,” because Raphael Saadiq swings so hard trying to hit retro that he loses his balance and lands in 1967. The result is 12 tracks of pure soul commitment and then a Jay-Z remix that hits like a punchline.

And really, that’s the best way to drive home the game of the album. It’s as if no true soul classic could exist today without some opportunistic MC’s subversion. And let’s be honest, it couldn’t. Oh yeah, there are head nodders out there that didn’t know P-Funk before Dre, believe it. They didn’t know The Isleys before Biggie and Puff, didn’t know Chaka before Kanye. Fact is, these days hip hop producers use their samples as a bully pulpit almost as much as they take advantage of their success. And If you think more people didn’t listen to Toy Soldiers after Eminem dropped his version, you’re wrong. I sure I did. So Jay-Z’s barely different rendition of Saadiq’s “Oh Girl,” seems to make the song relevant again after all these years. It puts the final thump into the album’s classic stamp. The impression is left.

Great music is at once familiar and new. And this is the dance that Saadiq steps through with Temptation-like precision. You’re sure you’ve heard this before, but damn, you would remember THIS. You wold remember “The Way I See It.”


Writer’s Rules for Writers

2009 07/23

If you’re as big a fan of lists as I, then you’ve already come across a few famous authors telling you how it is. The most well known and unavoidable sets of writer’s rules are the following:

Ernest Hemingway’s famously adopted the Kansas City Star style sheet (pdf):

  1. Use short sentences.
  2. Use short first paragraphs.
  3. Use vigorous English.
  4. Be positive, not negative.

…and Elmore Leonard’s 10 rules (which are really 11).

  1. Never open a book with weather.
  2. Avoid prologues.
  3. Never use a verb other than ‘’said” to carry dialogue.
  4. Never use an adverb to modify the verb ‘’said” . . .
  5. Keep your exclamation points under control.
  6. Never use the words ‘’suddenly” or ”all hell broke loose.”
  7. Use regional dialect, patois, sparingly.
  8. Avoid detailed descriptions of characters.
  9. Don’t go into great detail describing places and things.
  10. Try to leave out the part that readers tend to skip.
  11. If it sounds like writing, I rewrite it.

The already initiated, though, may not be as familiar with these guidelines:

Norman Mailer

  1. Over the years, I’ve found one rule. It is the only one I give on those occasions when I talk about writing. A simple rule. If you tell yourself you are going to be at your desk tomorrow, you are by that declaration asking your unconscious to prepare the material. You are, in effect, contracting to pick up such valuables at a given time. Count on me, you are saying to a few forces below: I will be there to write.

Robert A. Heinlein

  1. You Must Write
  2. Finish What Your Start
  3. You Must Refrain From Rewriting, Except to Editorial Order
  4. You Must Put Your Story on the Market
  5. You Must Keep it on the Market until it has Sold
  6. Start Working on Something Else

George Orwell

  1. Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
  2. Never use a long word where a short one will do.
  3. If it is possible to cut a word out, always cut it out.
  4. Never use the passive where you can use the active.
  5. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
  6. Break any of these rules sooner than say anything outright barbarous.

and W. Somerset Maugham FTW said:

“There are three rules for writing the novel. Unfortunately, no one knows what they are.”


Six Word Stories

2009 07/20

I’ve always been a great admirer of Hemingway’s shortest story:

For Sale: Baby shoes, never worn

So this Wired article really made my day. They asked some of my favorite authors to contribute their own pithy sentences.

Machine. Unexpectedly, I’d invented a time
- Alan Moore

With bloody hands, I say good-bye.
- Frank Miller

Finally, he had no more words.
- Gregory Maguire

Steve ignores editor’s word limit and
- Steven Meretzky

I’ll play too:

7 – 6 loss. Missed extra point.

Parenthetically, I’m going to have to read some Gregory Maguire. He looks interesting.


Needs More Puns

2009 07/17

My first guitar teacher, Sandy, was a funny guy.  Well, no, he wasn’t interested in being funny, but in being so unfunny that he became funny.  You got the feeling he had cultivated this with years of careful practice. He loved to pronounce the word “Pianist” in a very specific way, and he would tell jokes like:

“Hey Dan, how many bass players does it take to screw in a lightbulb?  None! The pianist can do it with his left hand!”

And then, this is the key, he would stare you down with a wacky smile until you would sooner laugh than bare the discomfort.  For an hour every week for six years, I studied Stairway to Heaven, triplets, and Mixolydian, but mostly, I learned from him how to properly enjoy a pun.

They’re sort of the contraband of humor, puns are.  You make one and you sort of look around to see if you’ve gotten away with it.  After all, you can rightly expect a hard slap or an admonishing look.  When someone laughs at a pun, that’s an event to be celebrated.  You’ve either done really well or really poorly (and in the amazing world of puns, the two can be hard to distinguish).

When a stranger laughs, well… they’re not really a stranger anymore.  No, the pun maker and the pun appreciator are kindred spirits.  They share something in that moment.  I imagine it’s something like gay-dar.  You look at each other and you know, “we are the same kind of dork,” with a strange confidence.  It’s such a particular personality.  We’re always scholars, or jazz musicians or scientists or something.

Well, today I came across a geology blog called… All My Faults Are Stress Related.

Now I’m sort of having a pun catharsis.


Interrobang?!

2009 07/14

You’ve seen it around. You’ve probably used it.  End a sentence with a question mark and an exclamation point and you’ve pretty much done it.  “She did what?!” It isn’t just cool, it’s got an awesome name. The interrobang. Go interrobang someone right now and see how it feels.

Apparently there are a dozen other less than well known alternative punctuations marks.

  • sarcasm mark – ¡
  • irony mark – 6px-Irony_mark_full.svg
  • doubt point - 13px-Point_de_doute.svg
  • certitude point – 13px-Point_de_certitude.svg
  • acclamation point – 10px-Point_d'acclamation.svg
  • authority point – 10px-Point_d'autorité.svg
  • indignation point – 7px-Point_d'indignation.svg
  • love point – 15px-Point_d'amour.svg

Befriending the Avenues

2009 07/06

Thanks, Corona Beer Company of MexicoEric and I were watching Saturday Night Live continue its downward spiral when we heard a knock at the door.  “Great. Another noise complaint.”  But Eric turned around from the peep hole cowering in fear.

“It’s that guy!”

There was an Avenue who lived across the hall.  We were fairly sure.  Drew street was Avenue territory, and you didn’t rep anybody but the Avenues and stick around long.  He was always sporting a white tank top that showed off his tatts as he ushered his kids around the apartment complex.

He had been in a parking altercation with Kurt and Eric, and Eric in particular was quite intimidated. I was forced to answer the door.

“Are you the fucking guy who ratted me out?”

His accent was thick.  I bought time. “Huh? I can barely understand you, I’m sorry.”

“Are you the fucking guy who fucking ratted me out?”

I had seen him before, but I never realized how short he was.  Maybe 5′3″.  He was flanked, though, by a bigger dude whose neck tattoos just barely stuck up from his sweat shirt. I tried to read them as they spoke to us, but nothing came of it. I was having a hard enough time understanding their speech, and that seemed much more pressing.  From what I could decipher, the runt was pissed off about a noise complaint.

“Wasn’t us, man. We get noise complaints all the time too, just for watching TV and talking at night. It’s ridiculous,” I said.

“I’m ’bout to fucking kill somebody over this shit. I don’t even care. You can lock me up. I’ll go to jail, and then somebody else will shoot you. It don’t matter.”

Eric and I let out some nervous laughter watching him pace back and forth in the hallway, frothing.

“If you pay rent, it don’t fucking matter what else you do, am I right? This shit is too much. I’m ’bout to kill somebody.  That fucking manager, I threw him against the wall yesterday, man. You probably heard it.”

I had heard it; Kurt had too. We had wondered at the time if there was yet another drive-by about to go down. But no, it was just this guy throwing our super against the wall.

Thankfully, he calmed a little as he realized that we weren’t to blame.

“Well, he said it was the neighbors. If it wasn’t you, I think I know the motherfucker.”

He pointed to his enforcer.

“That’s my brother. He’s the good one. I’m the bad one.”

“We’re not trying to intimidate you,” said the brother.

“I believe it.”

No, I didn’t.  Eric and I stood there, hanging onto our open door, as the inquisition turned into a chat.

“Just make sure if you have a problem,” said the good brother, “knock on the door. Don’t go to the manager. Come in and we’ll give you a beer and hang out. Whatever you guys want to do.”

The runt said, “you ever drunk Coronas?”

“Sure,” I said.  That was a weird question.  Do white people drink Coronas?  Just how vast did this guy think our cultural differences were?

“Go get these guys some beers,” he told his brother.

Eric held his hands up. “We don’t want to trouble you guys.”

“Fuck it, man. You throw a party, maybe I’ll be the one buying the beer. Some Saturday night we’re throwing a party, come fucking get drunk with us.”

As they handed us a pair of Corona Extras, Eric and I exchanged a look. Were we friends with the Aves now?  This was Drew street.  The cops were scared shitless to come in without SWAT, and SWAT only removed the shitless.  This beer exchange seemed like a moment of real charity.  Did it make the runt and his brother feel nice and liberal, treating us white kids to a bottle of booze? We felt nice and liberal taking it.

They popped the tops for us.  I hadn’t had a drink in weeks.  The beer was cold.  Then the good brother spoke up again. “You guys are white, but we’re not prejudiced.”

“Neither are we,” said Eric, “we don’t care about any of that.”

The runt said, “fucking… maybe you get drunk you can understand Spanish music. I get drunk I can understand English.”

Our handshake was the most bizarre of my life.  It was like shaking a dead fish.  Like all the nerves in his hand were dead.  Like he was afraid to squeeze or he would break me.  It was disconcerting, but the interaction was almost over.  Eric and I wished them well on their hunt to kill whomever had dared make a noise complaint against them.

We went back to SNL.  It still wasn’t funny, but the Coronas helped.  A little.


Write What You Know

2009 05/16

the pillowman

“I think people who only write about what they know only write about what they know because they’re too fucking stupid to make anything up…”

This little snippet of wisdom appears in Martin McDonagh’s “The Pillowman”, and in a play of such obvious and apparent awesomeness, one tends to defer to the authority of the author.  After all, it was nominated for a Tony.  A TONY! Surely, the dude knows of what he speaks.

There is some mitigating context for this quote.  The play’s about a writer with a bizarre and sick sensibility, who writes blackly humorous– wait, this sounds an awful lot like Martin McDonagh.  Is he making a joke about the fact that writers always write about writers?  I hate that.  How many times have you seen a movie about a screenwriter, a book about a novelist.  It’s so intolerably self-centered.  (Sort of like every blog ever.)  Or is McDonagh leveling a legitimate criticism at himself; perhaps insecure about leaving the peculiar Irish dialect that made him famous?

And when an award-winning, Tony-nominated, excessively-hyphenated playwrite declares war against the classic “write what you know” adage, where is a wide-eyed, hero-worshipping, equally-hyphenated, young reader to turn?  (Christ, I think in loglines now.)

Maybe a line is just a line?

I’ve used far too many question marks today, and what once was a compelling line to me has become murky and meaningless from overthink.  For now I’ll take refuge in the use of the word “only” and attempt to strike a balance between creativity and what-i-know-itude.


Role Models

2008 12/16

About a year ago, some long-haired street team assassin handed me a flyer.  It was for a preview screening; a movie called “Little Big Men”.  Free screenings are handed out like candy in LA, but they’re almost always for marginal movies that the studios can’t figure out how to market.  But a free movie is a free movie is a movie for free, so I often go. By the time the screen lit up on “Little Big Men” less than a week later, the name had been changed to “Mentors”.

Well, I loved it.  The script and performances were top notch, everything about it worked, and it was instantly, to me, a classic.  It was the kind of movie you tell people about.  The kind of movie you bother people about going to see and then when they do they say, “it was okay,”  because your outlandish promises for what this movie could be were impossible to fulfill.  Well, I wrote just such an outlandish, fanboyish review right then and there and when I got home, I sat on it, waiting for the film’s official release.

Exactly one million years later, the movie finally did get released (with the name changed again, this time it was “Role Models”).  I moved quickly to catch it again… and the final draft was still brilliant; somehow even better than the preview cut.  When I got home I knew all I would have to do is hit the publish button on my raving review, but I stopped short.

And I realized several things:

  1. I hate movie reviews.  What good do they do?  If you think what I have to say about a movie will help you figure out if you’re gonna like it, you’re probably wrong.  You don’t know how crazy I am.  I think things that don’t make any sense. By the way, we should really start digging in for the zombie apocalypse. Just in case.
  2. This review in particular was poorly written, cliche and embarrassing.

So I’m not gonna give you that review. Go see the movie your damn self.  Or don’t.  I liked it.


Smalltalk

2008 08/18

I have a profound distaste for smalltalk.  It’s not so much my hatred for banal subject matter, after all, who could be anything but enthralled by the weather, by sports, by politics, or by talking about themselves?  No, I believe the discussion of nothing is a fundamental aspect of human existence.  In fact, I’m not really sure what it is that bothers me.  But it sucks.

“How are you?” What a wonderfully harmless question, an innocuous request after the object’s well-being.  How painfully innocent.  How entirely unsinister.  The proper response ignores the words and provides the expected, “Good. You?”  We both know that I’m not good, that you’re not good, that no one is ever good.  We, as a race of beings, have shin splints and back pain, we have insomnia and no money, we have to pee right now and sorta wish this conversation wasn’t happening.  All this is swept under the rug and ignored for the benefit of conversation.  Good.  It’s kind of a bummer.

“What’s new and exciting?”  In part, I fear the questions that reveal my unhappy station.  Questions that put into the sharp relief the fact that there is nothing “new and exciting” about my life.  It’s a passive-aggressive lashing out against the man who gathered all his treasures into a borrowed white station wagon and moved 3,000 miles west.  What anger some might feel not to have been packed in that trunk along with my comic books, my only suit, and my automatic coin sorter.  I have not become a world famous screenwriter.  I have not gotten a highly coveted job in the industry.  I have not met and befriended any minor celebrities only to discover they’re secretly gay or Scientologist or both.  And without these new and exciting developments in my hermitic life, it would be revealed that I left my friends, my family and my life for no reason.  So my answer is, “not much.”

“Just called to say, ‘what’s up?’”  Bah.  There’s nothing literally wrong with the question.  It’s a waste of breath, postponing actual discussion of actual topics.  Quick!  Buy time so you can think of another stall.  It would be better, simpler, to just start talking.  There is no “up” to be discussed, so “hello” to you too.  No one calls anyone to ask what’s up.  A phone call without an agenda is a transparent attempt to rebuild a broken relationship.  It seems like a waste of time, so it’s filled with smalltalk.  And the frustrating fact is, engaging in smalltalk does build relationships, especially with women.  You’re attempting to move past the talking abou nothing stage and recreate an actual friendship.  How painful.  This “catching up,” the most insidious form of smalltalk, is a de facto admittal that you haven’t kept in touch and need desperately to feel that you’re closer than you actually are.

Soon, I’ll get a call from an ex-girlfriend and she and I will probably play this game.  And it won’t be the waste of time that bothers me most, but the immediate pang of nostalgia I feel when I realize this person I once cared so much about, this person who cared so much about me, we have nothing to say to each other anymore.  We want to, we wish we did, but that relationship is dying now and all that’s left is smalltalk.