
Do yourself a favor.
Baseball is a superstitious game. It’s not uncommon for you, as a fan, to associate whether you’re sitting or standing, or wearing your hat inside out, or whether you’ve eaten a donut that day, with the success and failure of your favorite team. Back when I used to wear baseball caps, and was an especially die hard Red Sox fan, I took to measuring the effect of my greatest baseball superstition. Over the course of 3 years I kept track of the Red Sox winning percentage as it related to whatever hat I had chosen to wear that day.
In a excel spreadsheet labeled “HatWin%” I still have the data which shows that my Portland Sea Dogs cap (the Sox AA minor league affiliate) had the most effective long term winning percentage of all my sox-related headwear with a 0.625 winning percentage over a period of no less than 64 games!
Furthermore, I found that the effect of buying a new hat would coincide with team hot streaks, as their record would improve during the first month of hat wear and gradually tail off over an extended period.
Now, perhaps the phrase, “I love the sox so much I need to buy a new hat,” is only spoken during team hot streaks and sure, as sample size expands their record is destined for some reversion. Those things are all beside the point. The point is: I’m a huge nerd.
I recently came across an old draft for a post entitled, “Sorry I haven’t updated in a while.” It was blank and I never got around to posting it. The irony of this does not escape me.

the act of kissing; a kiss.
I’m glad there’s a nice clinical word out there to describe one of life’s great intimacies.
Eric and I were watching Saturday Night Live continue its downward spiral when we heard a knock at the door. “Great. Another noise complaint.” But Eric turned around from the peep hole cowering in fear.
“It’s that guy!”
There was an Avenue who lived across the hall. We were fairly sure. Drew street was Avenue territory, and you didn’t rep anybody but the Avenues and stick around long. He was always sporting a white tank top that showed off his tatts as he ushered his kids around the apartment complex.
He had been in a parking altercation with Kurt and Eric, and Eric in particular was quite intimidated. I was forced to answer the door.
“Are you the fucking guy who ratted me out?”
His accent was thick. I bought time. “Huh? I can barely understand you, I’m sorry.”
“Are you the fucking guy who fucking ratted me out?”
I had seen him before, but I never realized how short he was. Maybe 5′3″. He was flanked, though, by a bigger dude whose neck tattoos just barely stuck up from his sweat shirt. I tried to read them as they spoke to us, but nothing came of it. I was having a hard enough time understanding their speech, and that seemed much more pressing. From what I could decipher, the runt was pissed off about a noise complaint.
“Wasn’t us, man. We get noise complaints all the time too, just for watching TV and talking at night. It’s ridiculous,” I said.
“I’m ’bout to fucking kill somebody over this shit. I don’t even care. You can lock me up. I’ll go to jail, and then somebody else will shoot you. It don’t matter.”
Eric and I let out some nervous laughter watching him pace back and forth in the hallway, frothing.
“If you pay rent, it don’t fucking matter what else you do, am I right? This shit is too much. I’m ’bout to kill somebody. That fucking manager, I threw him against the wall yesterday, man. You probably heard it.”
I had heard it; Kurt had too. We had wondered at the time if there was yet another drive-by about to go down. But no, it was just this guy throwing our super against the wall.
Thankfully, he calmed a little as he realized that we weren’t to blame.
“Well, he said it was the neighbors. If it wasn’t you, I think I know the motherfucker.”
He pointed to his enforcer.
“That’s my brother. He’s the good one. I’m the bad one.”
“We’re not trying to intimidate you,” said the brother.
“I believe it.”
No, I didn’t. Eric and I stood there, hanging onto our open door, as the inquisition turned into a chat.
“Just make sure if you have a problem,” said the good brother, “knock on the door. Don’t go to the manager. Come in and we’ll give you a beer and hang out. Whatever you guys want to do.”
The runt said, “you ever drunk Coronas?”
“Sure,” I said. That was a weird question. Do white people drink Coronas? Just how vast did this guy think our cultural differences were?
“Go get these guys some beers,” he told his brother.
Eric held his hands up. “We don’t want to trouble you guys.”
“Fuck it, man. You throw a party, maybe I’ll be the one buying the beer. Some Saturday night we’re throwing a party, come fucking get drunk with us.”
As they handed us a pair of Corona Extras, Eric and I exchanged a look. Were we friends with the Aves now? This was Drew street. The cops were scared shitless to come in without SWAT, and SWAT only removed the shitless. This beer exchange seemed like a moment of real charity. Did it make the runt and his brother feel nice and liberal, treating us white kids to a bottle of booze? We felt nice and liberal taking it.
They popped the tops for us. I hadn’t had a drink in weeks. The beer was cold. Then the good brother spoke up again. “You guys are white, but we’re not prejudiced.”
“Neither are we,” said Eric, “we don’t care about any of that.”
The runt said, “fucking… maybe you get drunk you can understand Spanish music. I get drunk I can understand English.”
Our handshake was the most bizarre of my life. It was like shaking a dead fish. Like all the nerves in his hand were dead. Like he was afraid to squeeze or he would break me. It was disconcerting, but the interaction was almost over. Eric and I wished them well on their hunt to kill whomever had dared make a noise complaint against them.
We went back to SNL. It still wasn’t funny, but the Coronas helped. A little.
“I take the view, and always have, that if you cannot say what you are going to say in twenty minutes you ought to go away and write a book about it.”-Lord Brabazon was a pioneer of early aviation in Britain. His autobiography was entitled “The Brabazon Story.”

“I think people who only write about what they know only write about what they know because they’re too fucking stupid to make anything up…”
This little snippet of wisdom appears in Martin McDonagh’s “The Pillowman”, and in a play of such obvious and apparent awesomeness, one tends to defer to the authority of the author. After all, it was nominated for a Tony. A TONY! Surely, the dude knows of what he speaks.
There is some mitigating context for this quote. The play’s about a writer with a bizarre and sick sensibility, who writes blackly humorous– wait, this sounds an awful lot like Martin McDonagh. Is he making a joke about the fact that writers always write about writers? I hate that. How many times have you seen a movie about a screenwriter, a book about a novelist. It’s so intolerably self-centered. (Sort of like every blog ever.) Or is McDonagh leveling a legitimate criticism at himself; perhaps insecure about leaving the peculiar Irish dialect that made him famous?
And when an award-winning, Tony-nominated, excessively-hyphenated playwrite declares war against the classic “write what you know” adage, where is a wide-eyed, hero-worshipping, equally-hyphenated, young reader to turn? (Christ, I think in loglines now.)
Maybe a line is just a line?
I’ve used far too many question marks today, and what once was a compelling line to me has become murky and meaningless from overthink. For now I’ll take refuge in the use of the word “only” and attempt to strike a balance between creativity and what-i-know-itude.
About a year ago, some long-haired street team assassin handed me a flyer. It was for a preview screening; a movie called “Little Big Men”. Free screenings are handed out like candy in LA, but they’re almost always for marginal movies that the studios can’t figure out how to market. But a free movie is a free movie is a movie for free, so I often go. By the time the screen lit up on “Little Big Men” less than a week later, the name had been changed to “Mentors”.
Well, I loved it. The script and performances were top notch, everything about it worked, and it was instantly, to me, a classic. It was the kind of movie you tell people about. The kind of movie you bother people about going to see and then when they do they say, “it was okay,” because your outlandish promises for what this movie could be were impossible to fulfill. Well, I wrote just such an outlandish, fanboyish review right then and there and when I got home, I sat on it, waiting for the film’s official release.
Exactly one million years later, the movie finally did get released (with the name changed again, this time it was “Role Models”). I moved quickly to catch it again… and the final draft was still brilliant; somehow even better than the preview cut. When I got home I knew all I would have to do is hit the publish button on my raving review, but I stopped short.
And I realized several things:
So I’m not gonna give you that review. Go see the movie your damn self. Or don’t. I liked it.