The Life of an AD

2010 01/25


New Release Tuesday

2010 01/11

Tomorrow is such a sick day for new DVD releases.

I used to treasure moments like these. I used know the release schedule months in advance, used to show up at the videostore on Thursday to peak at next week’s shipment, used sneak out copies while the masses had to wait till Tuesday. But now Tuesday’s just the day that I add things to my Netflix queue.

Still, a haul like this makes me want to hit the videostore again. Do those still exist?


Instrumentation

2010 01/02

Joaquin over at Singing in My Sleep gave me a salvaged guitar. A (not bad actually) Yamaha something-or-other that eerily mirrors the white on black American Strat I so long ago betrayed by selling.  As a result, I’ve agreed to give Joaq some complimentary guitar lessons, a proposition that may well benefit me more than it does him.  By all appearances, it looks like a classic Fender Strat with 2 knobs instead of 3, but it ain’t. The most glaring difference is that the string guides don’t line up anymore, so to restring it you have to unscrew and remove the backplate.

Putting flatwound strings on this thing is a bit like buying a thousand dollar dress for a 5 dollar hooker, but I’m trying to squeeze the best sound out of this thing as I can.  When I unwrapped these “jazz light chromes” I was expecting the sense-memories to flood in (restringing is a ritualistic thing, after all) but I got nothing. Nothing. I put them against my nose, desperate to remind myself of I don’t know what… of something, but strings don’t smell like anything, sadly. How can you get good and nostalgic about something odorless? This packaging does bring back memories, though.  Did I originally try these out because of the pretty purple trim?

Flat wounds are not for everybody. They’re damn thick, damn heavy, and the action is a lot higher than you’re used to. You’re going to need to finger them pretty hard thats what she said. But god damn do they give out a thick, mellow tone.  If you want to sound like Wes Montgomery (aka smooov), these are the strings.

All outfitted now, I found one of those ultra thin, over-sized picks in a closet, but I hate the way they flap-flap-flap.  Until I can find myself a couple Dunlop Big Stubbys, I’d rather strum with a nickel.

Next week, get ready for a theory refresher!  (If I feel like it)


Resolutions

2010 01/01

Though I could be called well-rounded, I am in fact the product of a long series of obsessions.  From 1993 to 2000, for instance, my thoughts entirely to the art of jazz guitar.  I took summer classes at Berklee, sat in a claustrophobic practice rooms with no air conditioning for sometimes 8 hours a day, and largely ignored all other elements of teenage life.

When you suck at something it doesn’t take long to see improvement.  An hour of practice and suddenly you’re capable of something new and amazing.  Early on, your will to practice is fed by that feeling.  But as you get better, the events that spark that feeling of progress get farther and farther apart. You find yourself working a million times harder for a millionth of the improvement. The better you are, the harder you need to work.  That’s the adage. Problem was, I was getting pretty good.  I won a musicianship award at the Clark Terry Jazz Festival, and occasionally I’d get paid for a gig (a feat I have yet to accomplish as a writer).  You would think these were positive signs, progress, recognition of talent, but I saw the wall coming up on me.

It always seemed like the next improvement was a thousand practice hours away, and the kid who was just a little bit better than me, he seemed like another TEN thousand away.  I slowly came to the realization, and even more slowly accepted the fact, that I was never going to be as good as I wanted to be, and this catharsis could rather melodramatically be referred to as “the moment my dream died.”  I did not react well.  I let myself down by sabotaging practice sessions and auditions, I let my friends down by tuning out of bands, and eventually, finally, I let my father down by selling the guitar he’d bought be as a kid.

For the next ten or so years I would occasionally reference my jazz-obsessed past, perhaps giving a short, romanticized summary of my decision to quit, one  that might make me sound tortured and mysterious. But I literally would not touch a guitar.  Just wasn’t interested, I’d say, but it was a stubborn thing, really.  I was protecting a broken ego.

…And if it took me a decade to really explain why I quit in the first place, forgive me if I don’t know how to put into words exactly why I’ve picked it up again.  But I have, yay! New Year’s Resolution, play guitar again.


Jared Allen, Your New Favorite Player

2009 12/27

That is, assuming you like hilarious bad-asses.


Avatar

2009 12/21

…was amazing


The Paperclip Bookmark

2009 11/28

For years I’ve been dog-earring pages and using book receipts to mark my place, all the while fantasizing about some imaginary perfect bookmark.  Why the hell did I never think of this before?

Don’t have to just hold your page either, hold your line:


Time Travel Soul

2009 11/23

“The Way I See It” is what I’m calling “Time Travel Soul,” because Raphael Saadiq swings so hard trying to hit retro that he loses his balance and lands in 1967. The result is 12 tracks of pure soul commitment and then a Jay-Z remix that hits like a punchline.

And really, that’s the best way to drive home the game of the album. It’s as if no true soul classic could exist today without some opportunistic MC’s subversion. And let’s be honest, it couldn’t. Oh yeah, there are head nodders out there that didn’t know P-Funk before Dre, believe it. They didn’t know The Isleys before Biggie and Puff, didn’t know Chaka before Kanye. Fact is, these days hip hop producers use their samples as a bully pulpit almost as much as they take advantage of their success. And If you think more people didn’t listen to Toy Soldiers after Eminem dropped his version, you’re wrong. I sure I did. So Jay-Z’s barely different rendition of Saadiq’s “Oh Girl,” seems to make the song relevant again after all these years. It puts the final thump into the album’s classic stamp. The impression is left.

Great music is at once familiar and new. And this is the dance that Saadiq steps through with Temptation-like precision. You’re sure you’ve heard this before, but damn, you would remember THIS. You wold remember “The Way I See It.”


Clicker

2009 09/14

clicker_danToday the startup I work for officially launched at TechCrunch50. If you want, you can check out our CEO’s presentation here.  It’s not long, and god damn it, this site is pretty cool.

This ends months of secrecy and intrigue and marks the beginning of a new era of secrecy and intrigue. Sign up for super-exclusive private beta here.

The party continues tomorrow, as clicker looks like it has a decent chance at winning this thing.


Common Names

2009 08/17

Earlier in the week I was having a discussion about this exceptionally unexceptional name of mine. There were anecdotes about the other Daniel Cohen I went to camp with, and the Daniel Cohens I went to Emerson with, but in the end my friend Jessica, who likes to turn everything into a competition, shocked us all by turning it into a competition.

As one of many, many Dan Cohens, I am immune to being googled, but not Wolfram Alpha’d:

Daniel+Jessica

Smackdown.

Daniel+Jessica 2

Combined with the stats on Cohen (surname), there are very probably 75 people alive today in the United States named after or before me, and that number seems a little low. Thankfully, my parents blessed me with a weird and wonderful middle name: Oets.

Googling “Oets” nets you the subtle suggestion that you’ve made a typo attempting to spell “poets,” and after that you’re wading into my family lineage. Uncle Oets is there, and the great grandfather I’m named after. Meanwhile, Wolfram Alpha says:

Oets

Damn that feels good.